2010第十二屆台北電影節Taipei Film Festival

 百萬首獎 Grand Prize

 《乘著光影旅行》LET THE WIND CARRY ME

姜秀瓊 CHIANG Hsiu-chiung∕關本良 KWAN Pun-leung

得獎理由 Jury’s Statement：

像一首敘情的詩，娓娓道來一個新電影工作者的工作常態。影像華麗動人，感情細緻敏銳。從宏觀整個新電影創作的本質，再理性探索一個大師的工法與專注的事。從理性敘事到感性抒情，從生活的小細節觀照到所有電影工作者的情感，濃郁真實，也打動所有愛電影的觀眾。很誠懇面對創作者與被拍攝者的觀望距離，卻又有豐富的內心自省，串起一首深刻的光影詩。

Like a lyric poem, the film recounts the work and life of a cinematographer. The images are gorgeous and moving while the emotions are subtle and perceptive. The film explores not only the skills of a master but also the essence of the Taiwan New Wave cinema. The strong emotions of all the filmmakers are shown through small details of life. It is a sincere and reflective poem about light that moves all the audiences who loves cinema. 

  最佳劇情長片 Best Narrative Feature

 《第四張畫》THE FOURTH PORTRAIT

鍾孟宏 CHUNG Mong-hong

得獎理由 Jury’s Statement：

這部電影開創了一種無法歸類的形式和內容。它不純粹只是談失蹤兒童的問題，更不只是想觸及大陸新娘的困境。更多時候我們看到的是人和環境、命運之間的糾葛。導演藉著風格化的攝影和美術讓電影中的每個人都尷尬、狼狽的活著，像火桶內的青蛙跳呀跳的，每個人都很想理直氣壯地活著，但是觀眾都看得出來這些人都被環境扭曲變形模糊了。小人物滑稽得讓你想哭，影片美得如此悲傷和哀傷。這就是導演才華洋溢的地方。

This film, of which the form and content is difficult to be categorized, is pioneering in many ways. Not only does it deal with the issue of missing children and immigrant wives, the film intertwines human, environment, and destiny together. Through stylized cinematography and art direction, everyone in the film appears to live an embarrassing life, just like a frog in a bucket on fire. Everyone tries to justify their own existence, yet we can see they are already twisted by their surroundings. The tragic comic nature of the characters makes us cry. And the film is so achingly beautiful that makes us sad. Such is the talent of the director. 

  最佳紀錄片 Best Documentary

《乘著光影旅行》LET THE WIND CARRY ME

姜秀瓊 CHIANG Hsiu-chiung∕關本良 KWAN Pun-leung

得獎理由 Jury’s Statement：

像一首敘情的詩，娓娓道來一個新電影工作者的工作常態。影像華麗動人，感情細緻敏銳。從宏觀整個新電影創作的本質，再理性探索一個大師的工法與專注的事。從理性敘事到感性抒情，從生活的小細節觀照到所有電影工作者的情感，濃郁真實，也打動所有愛電影的觀眾。很誠懇面對創作者與被拍攝者的觀望距離，卻又有豐富的內心自省，串起一首深刻的光影詩。

Like a lyric poem, the film recounts the work and life of a cinematographer. The images are gorgeous and moving while the emotions are subtle and perceptive. The film explores not only the skills of a master but also the essence of the Taiwan New Wave cinema. The strong emotions of all the filmmakers are shown through small details of life. It is a sincere and reflective poem about light that moves all the audiences who loves cinema.

  最佳短片 Best Short

 《爸爸不在家》DAD’S NOT HOME

陳博彥 Bo-Yan CHEN

得獎理由 Jury’s Statement：

雖然只是部短片，也只有簡單的道具和平實的拍攝手法，但導演卻有絕妙的創意，讓整部片進入一個異想世界，讓這看似平凡鄉里的八卦故事顯得不平凡，也讓這看似愁雲慘霧的家庭，充滿黑色幽默，既沖淡悲苦，也增添心頭暖意，再加上眾演員的沉穩表現，讓這部片顯得格外突出。

Although the props and the style are simple, the director creatively turns an ordinary story into an extraordinary world of fantasy. Accompanied by the wonderful performances of the entire cast, the story of a miserable family in the style of black humor makes this a warm and outstanding short film.

 最佳動畫 Best Animation

 《簡單作業》A PIECE OF CAKE

吳德淳 WU De-Chuen

得獎理由 Jury’s Statement：

畫風樸拙，故事卻深刻動人，充滿喜感的台語配音更是本片的一大功臣，《簡單作業》在形式和內容上相輔相成，這部看似簡單的動畫，蘊含著豐沛的親情和鄉愁，導演藏創意於古意畫風中，佐以真摯深情，讓人動容也讓人難忘。

This is a profound and touching film adorned with an incredibly humorous voiceover in Taiwanese. Its style might appear simple and rough, yet this matches the genuine love toward family and homeland encompassed in the film. With its form fits well its content, this is an unforgettable and moving work in which rich creativity and sincere emotions are revealed.

  最佳導演獎 Best Director

  鄭文堂 CHENG Wen-Tang

《眼淚》TEARS

得獎理由 Jury’s Statement：

導演在警察電影的類型框架中，他仍能帶來新意、並引人思考。本片不僅描述了社會的犯罪與腐敗，還表現了悲劇英雄在生命將近尾聲時其崩解的世界。

The Best Director Award is being given to a filmmaker who shows that within the format of the crime film, he can remain fresh, inventive and provocative. His film describes not only crime and corruption in society but also the personal world that collapses around his tragic hero at the end of his life.

最佳編劇獎 Best Screenplay

 劉梓潔 Essay LIU

《父後七日》SEVEN DAYS IN HEAVEN

得獎理由 Jury’s Statement：

用喜劇手法刻畫悲傷葬禮，高度反差的設計創意十足，劇本援引現代觀點和幽默手法，重新詮釋傳統儀式，既讓人見證歷史，也點出其中的荒謬性；在這個嘻笑怒罵的劇本裡，還暗藏著濃烈的父女親情，就是那些在不經意間流露的真摯親情，讓人臣服。

The contrast of the film, in which a mournful funeral is portrayed through a comic style, is very creative. The screenplay reinterprets the traditional ritual with a modern perspective in a humorous way. Not only does it records what happens, the screenplay points out the absurdity of the ritual. Moreover, behind everything comic and casual, the screenplay incorporates intense and deep love between the father and the daughter. The real and sincere emotions are revealed unwittingly. A wonderful screenplay.

最佳男演員獎 Best Actor

 畢曉海 Xiao-Hai BI

《第四張畫》THE FOURTH PORTRAIT

得獎理由 Jury’s Statement：

融成熟、純真、脆弱於一體，表現穩健。

For an assured portrayal combing maturity, innocence and vulnerability.

最佳女演員獎 Best Actress

 陳意涵 CHEN Yihan

《聽說》HEAR ME

得獎理由 Jury’s Statement：

做了非常多角色塑造的細節，讓這個角色起初雖無對白，但活潑生動讓人喜愛，像是外八的奔跑動作，豐富單純的表情，都淨化了角色純潔的內心，也幫助觀眾認同了這個女孩後來的所有選擇，靈巧如精靈的表演，也是本片最精采之處。

Her subtle character portrayal makes her role vivid and lovable although she doesn’t have any lines in most part of the film. Her out-toeing runner manner together with her rich yet simple expressions not only intensify the pure heart of her role but also help the audience to identify with her choices. Swift like a fairy, her performance is the best part of the film.

 最佳男配角獎 Best Supporting Actor

 蔡振南 CAI Zhen-Nan

《老徐的完結篇》ENDING CUT

得獎理由 Jury’s Statement：

篇幅雖短，卻熱情洋溢、可信度高。

For a convincing and zestful performance, despite the short role.

最佳女配角獎 Best Supporting Actress

張詩盈 CHEUNG Si-Yin

《父後七日》SEVEN DAYS IN HEAVEN

得獎理由 Jury’s Statement：

在這部電影中，張詩盈的演出非常耀眼。舉手投足之間相當精準而到位，連表情都能多層次的傳達各種不同層次的情緒，不止是只有歡笑和悲傷而已。

She gives an outstanding performance in this film. Her precise and faithful acting is fully shown in every move she makes. Her multidimensional expressions reflect different layers of emotions, without being confined to sadness and happiness.  

最佳新演員獎 Best New Talent

 郭采潔 Amber KUO

《一頁台北》AU REVOIR TAIPEI

得獎理由 Jury’s Statement：

演出清新自然，充滿一股青春的朝氣，細膩地掌握到一個台北都會年輕女孩對於愛情的心動嚮往以及期待，從起初的含蓄到後來的勇敢，其中心境的轉折表現可圈可點，充滿了說服力，令人難忘。

Her performances are fresh, natural, and full of youthful energy. She subtly captures the emotions of a young girl in Taipei city who wishes to fall in love. From being reserved to being courageous, this shift of her frame of mind is well performed in the film. A convincing and unforgettable performance. 

最佳剪輯 Best Editing

關本良 KWAN Pun- leung∕許紘源 HSU Hung-Yuan

《乘著光影旅行》 LET THE WIND CARRY ME

得獎理由 Jury’s Statement：

紀錄片最難的是素材的整理羅列與組織出一個充滿情感的說故事方式。本片有新電影片段、生活紀錄、人物訪談等等多樣素材。如何整理得如此感性動人，需要一個很有邏輯的理性思考與一顆對電影充滿情感的心，也因為如此這部電影拉攏了全世界每個愛電影的心。

The most difficult job for a documentary is to arrange the materials and organize an effective and emotional narration out of them. This film has loads of materials including film clips, records of real life, and interviews. The fact that final result is sensitive and touching reveals that the directors possess a logical mind and a passionate heart. That’s why this film moves everyone in the world who loves cinema.

最佳攝影 Best Cinematography

 廖本榕 LIAO Peng Jung

《臉》FACE

得獎理由 Jury’s Statement：

構圖、光影、設置讓每個鏡頭都像一張精準設計的畫，幾場歌舞因為鏡子的安排，讓攝影難度增高，卻也豐富了影片層次。簡單的人物特寫也因為攝影的巧思，讓每張臉譜豐富了起來。

Its composition, lighting, and framing of the images make every shot a precisely composed painting. With the addition of the mirror, the cinematography becomes more difficult, yet it enriches and complements the film. Because of the wonderful arrangement of the cinematographer, even the simple close-ups become rich and lush portrayals of different faces.  

 最佳音樂 Best Music

雷光夏 Summer LEI∕侯志堅 HO Zhi-Jian

 《第36個故事》TAIPEI EXCHANGES

得獎理由 Jury’s Statement：

在這部電影中，音樂扮演了很重要的角色。它的旋律和節奏適時的協助，甚至引導著演員的表現和劇情的推展，又不至於喧賓奪主。

Music plays an important role in this film. The rhythm and the melody not only complement the film but also lead the performances of the actors and the development of the story, without being overly used.

最佳美術設計 Best Art Direction

黃美清 HUANG Mei-Ching∕陳柏任 CHEN Po-Jen

《艋舺》MONGA

得獎理由 Jury’s Statement：

整體美術設計用色鮮豔大膽，造型風格獨具，甚至掀起八零年代的復古風潮，《艋舺》僅用美術設計，便能立體呈現出那個喧囂的年代和片中少年們的猖狂青春，道具和佈景既考究又富有創意，美術設計堪稱整部片的大功臣。

The art direction is highly stylized in which the colors are vivid and wild. With the art direction alone, the film succeeds in portraying the time of the 80s and the wild youth in three dimensions. It even helped to create a retro hype in Taiwan. The props and setting are well-researched and full of creativity. The art direction plays an important role in the film.  

 電影產業獎－劇情長片 Industry Award for Narrative Feature

 《台北星期天》PINOY SUNDAY

何蔚庭 HO Wi-Ding

得獎理由 Jury’s Statement：

透過人物關係、城市生活的節奏與複雜的地景，探索勾勒出現代台北的多元文化。影片講述外籍勞工的困難現狀與情感疏離，主題嚴肅深沈，卻以幽默輕鬆的角度去精準詮釋。

For exploring the multicultural space of modern Taipei through relationships, the rhythm of city life and its complex landscape. The director shows a fine sense of humor and a lightness of touch in spite of the film’s darker themes of difficult labor relations and emotional isolation. 

電影產業獎－短片 Industry Award for Short

 《狙擊手》REAL SNIPER

程偉豪 CHENG Wei-hao

得獎理由 Jury’s Statement：

精確掌握現代都市的危險氛圍，不確定危險來源，不確定誰會是下一個被狙擊的對象，敘事觀點很精準的從一個宅男轉換到一個霹靂小組成員，最後的結局巧妙連結兩個主人翁，精準冷冽的程度，讓人期待他成為未來的楊德昌。

The film precisely captures the dangerous atmosphere in the modern city. No one knows the source of the danger, not to mention who the next target will be. The perspective accurately shifts from an otaku to a SWAT team member. The last sequence masterfully connects these two characters. The sober and precise treatment of the director reminds us of Edward Yang. 

 媒體推薦獎 Media’s Choice Award

《簡單作業》A PIECE OF CAKE

吳德淳 WU De-Chuen

得獎理由 Jury’s Statement：

《簡單作業》呈現台灣動畫少見的創意與型式之結合，傳統民俗繪畫的筆觸畫風，充滿俚俗趣味的在地口白，看似簡單卻深刻反映家庭人際的故事，三者交融出令人驚豔的魅力，是未來值得期待的台灣電影方向。

A Piece of Cake nicely incorporates its rare creativity into its unique form, which is hard to come by in Taiwanese animations. In this film, three particular elements, namely the style of folk art, the Taiwanese voiceover full of vulgar humor, and the simple yet profound story that reflects family and human relationship, integrate with each other with amazing charm. It shows a new and exciting way for Taiwanese Cinema.  

終身成就獎 Lifetime Achievement Awards

葛香亭 KE Hsiang-Ting∕文英 Wen Ying

得獎理由 Jury’s Statement：

兩位優秀的演員所留下的作品皆已成為台灣電影史中，不可磨滅的時代印記。葛香亭和文英代表台灣兩種文化的典範：文英是台灣土生的力量，具有本土文化及生命力；葛香亭則代表大陸承襲過來的文化，都能讓後輩有一種共鳴。終身成就獎頒給他們兩位，代表我們對這兩位影人一種深厚的感情與懷念。 

觀眾票選獎 Audience’s Choice Award

《第36個故事》TAIPEI EXCHANGES

蕭雅全 HSIAO Ya-Chuan